Archive for the ‘other people’s books’ Category
Now I want a hat with a veil
Happy new year, everyone!
On New Year’s Day, Gwen Mitchell and I went to see “The King’s Speech.” I’m a sucker for:
1) Helena Bonham-Carter
2) historical costume
3) World War II
4) cross-class friendships
5) heroes who are underappreciated by their families
6) stories about disabilities.
Therefore, this movie was perfect for me. I loved it. Also, I was concerned they were going to ignore the future Duke of Windsor’s Nazi sympathies (which were the real reason he was forced to abdicate), and while they certainly focused on the Wallis Simpson stuff, they did bring it up several times so I was pleased.
Plus I saw a preview for the new Jane Eyre movie and it looked AWESOME. The actress is the gymnast girl from In Treatment and I thought she was very talented.
I also spent the last week or so reading Fingersmith by Sarah Waters which I ADORED. It’s a sort of Dickensian-thieves’-kitchen gritty historical novel with a lesbian love story. I was recently reading a conversation on historical accuracy on Courtney Milan’s blog and keep coming back to this comment by Robin:
When I think of some authors whose historical world-building seems most successful to me, it’s not as much the “correctness” of specific details (although dates, places, and well-known historical events are easy to get right and less tolerable to me when they are not), as much as feeling of transportation to a fictional world characterized by a cogent but still translatable “otherness” (i.e. verisimilitude). In that place, I feel as if I am placed into an entire universe that extends far beyond what the author shows me, one that remains consistent no matter which direction the narrative turns.
This is a perfect description of the amazing historical world created in Fingersmith, and I highly recommend it to anyone who loves historical fiction, especially Victorian historicals.
And finally, if you want to know more about my favorite band the Headstones and their musical genius, I did a post about them for favoritethingEVER.com.
I hope the new year brings all of you lots of amazing stuff to read. Tell me a book (besides mine of course) that you are looking forward to in 2011!
New contest!
I just put up a new contest on the website! I’m giving away a signed copy of Butterfly Swords by Jeannie Lin.
This is a hot item, you guys! The story won the 2009 Golden Heart, and when I was sitting next to Jeannie at the Emerald City Writers’ Conference Book Fair last month, she sold out of books in the first couple of hours. (Luckily, I had already been hooked by the first chapter, which she was giving out, and I grabbed myself a couple of books during set-up.)
I really loved this book. Ai Li, the sword-wielding heroine, is fantastic and brave, and her commitment to her family and country seemed in such strong conflict with her love for “barbarian” Ryam that I just couldn’t see how the Happily Ever After would come about, right up until the last minute. All the minor characters were fabulous, especially Ai Li’s youngest brother and her evil betrothed–I hope they get their own books.
Plus, it’s always nice to see a historical with a non-European/US setting, and Jeannie Lin did a wonderful job of creating a richly detailed and culturally distinct world that came across very clearly even to a reader (such as myself) who’s pretty unfamiliar with Tang Dynasty China.
You can enter the contest here.
You know I can tie anything back to Star Trek
Hi all! So…that wrist injury turned out to be a bit worse than I thought, and I’ve been working on a new book proposal, and what with one thing and another I’ve been AWOL from this here blog for a while, haven’t I? Pretty soon I’ll do an update post with links and book news and all that, but right now there’s something I want to talk to you about, and that’s beta heroes.
I love beta heroes. I love alpha heroes too, of course, but beta heroes have a special place in my heart. And two things today really brought home to me why (or part of why, anyway–there are so many reasons!).
1. I am reading Meredith Duran’s Wicked Becomes You. I am about halfway through and I love it, as I have loved all her previous books. I got to the part where the hero tells the heroine, “In this world, there is nothing more wicked than a woman who is unafraid to acknowledge what she wants.” And unexpectedly I found myself tearing up at the power of that statement, of that whole scene.
2. I read this blog post by a woman whose five-year-old son dressed up as Daphne from Scooby Doo for Halloween and got shamed by other mothers at school. She writes, “I hate[...]that my baby has to be so brave if he wants to be Daphne for Halloween.”
It’s that word, “brave.” Because men are supposed to be strong, right? Men are supposed to be confident. Men are supposed to acknowledge what they want all over the place. But the thing is, they are only supposed to want certain things. And a guy saying that he wants to let a woman take charge, or stay in middle management for the rest of his life, or avoid a fight–that guy immediately gets hit with a whole lot of shame. Girls have a hard time if they’re too alpha (it’s usually called “bossy” for them, of course), and guys have a hard time if they’re too beta.
But “alpha” doesn’t mean “strong.” It means “dominant.” Those are different things. Sure, being good at being dominant is a form of strength (and it’s hot!) but being good at anything is a form of strength. “Beta” doesn’t mean “weak,” either. It just means not needing or wanting to be in charge. It’s a different personality type, that’s all.

"I have no wish for your command, Captain."
But a lot of people forget that. So for a hero to openly be beta is actually really, really brave. For a guy to to defy expectations, to be willing to be seen as weak or vulnerable, to be himself and to be unafraid to say what he wants from life, takes a heck of a lot of courage and strength. And yeah, that’s hot.
New contest, Favorite Thing EVER, and a rant
This month I am giving away a signed copy of Jasper Fforde’s The Eyre Affair! Check it out! I love that book a LOT, and the series just keeps getting better.

I just started his new book Shades of Gray, too.
I also made my second post over at Favorite Thing EVER, on The Online Etymology Dictionary. I also talk about Regency words for blowjob and how I CAN’T FIND ANY GOOD ONES.
I am reading a biography of Ann Yearsley, the working-class poet “discovered” by Hannah More: Lactilla, Milkwoman of Clifton by Mary Waldron. I’m really enjoying it; the author has the perfect mixture of affection and humorous clearsightedness about her subject and it’s got lots of great information about smalltown life in late 18th century England. But it just said this:
Few even of the agitators for political reform or supporters of the American revolutionaries would have contemplated doing without their servants. Most people–even, it must be said, many of the poor themselves–would have agreed with Bernard Mandeville, writing in 1723 about the charity school movement, which had begun in 1699: “Going to School in comparison to Working is Idleness, and the longer Boys continue in this easy sort of Life, the more unfit they’ll be for downright Labor, both as to Strength and Inclination. Men who are to remain and end their Days in a Laborious, Tiresome and Painful Station of Life, the sooner they are put upon it at first, the more patiently they’ll submit to it for ever after.”
I just don’t think that’s a fair transition. I agree completely that very few people (maybe no one) were free of class prejudice in Georgian England. (But then, the same is probably true of modern America.) But unless you’re going to get argue we should get rid of social class altogether and redistribute the wealth, which this author doesn’t seem to be doing, saying that having servants was unprogressive seems to me to completely ignore the reality of 18th (and 19th) century life.
1. They didn’t have vacuum cleaners, dishwashers, washing machines, microwaves, sewing machines, central heating, food processors, electric lighting, or much in the way of processed/prepared food. Very, very few people had any kind of indoor plumbing.

Maintaining even a small middle-class family home was a full-time job for more than one person. Doing without servants entirely would have meant turning the women of the household into unpaid drudges who worked every minute they weren’t sleeping and slept five hours a night. How progressive!
Even women who had servants spent huge amounts of time in household chores. Even the Lucas girls in Pride and Prejudice (a VERY upper-middle-class home, with presumably more servants than most) helped in the kitchen (or so Mrs. Bennet says with some degree of plausibility, even if she’s being catty).
2. Domestic service was a huge part of the economy. Not employing servants meant depriving working-class people of jobs without, as far as I can see, empowering them in the slightest.
3. There’s no connection between employing servants or not and supporting mass education or not. Servants can go to school as children just like anyone else.
Anyway. Sorry, awesome biography author! I do love your book.
YA appreciation, part 2/2
And now, some YA I love so much I still have it on my shelves (or in the case of the last one, “bought the day it came out, fairly recently, and is NOT on my shelf as I have loaned it to a co-worker, but WHATEVER IT COUNTS”):
1. The Perilous Gard by Elizabeth Marie Pope. An Elizabethan-set retelling of Tam Lin with a no-nonsense heroine, scary but compelling fairies, and a guilt-ridden hero she has to save from paying the fairies’ tithe with his own life.
2. The Gawgon and the Boy by Lloyd Alexander. My favorite of his books (although I love the Westmark books too, and I adore the Vesper Holly series), probably because it feels the most personal. It’s about a boy who is recuperating from a serious illness and has to be tutored by his intimidating elderly relative, a woman who turns out to be awesome and teaches him all kinds of cool stuff.
I think what I love best about this book, though, is that the main character writes Mary Sue fanfiction, among them an on-going Sabatini pastiche called “The Sea-Fox” (his imaginary girlfriend, of course, goes by “the Sea-Vixen”):
“You idiot,” she said, “why did you kick down my door? It was unlatched; I was waiting for you. At least,” she added, “you could have knocked.”
The Sea-Fox nodded acceptance of this gentle reproof. He pointed at the town below, where his loyal crew were guzzling ginger ale and stuffing themselves with mangoes. “Kingston is mine. And yours,” he said.
3. The Snarkout Boys and the Avocado of Death by Daniel Pinkwater. About two high-school boys who sneak out of the house at night to go to midnight old-movie showings, and end up fighting a mad scientist. This book was my lifeline through large parts of high school because it captures with such brilliant parody just how crazy families and high school teachers can be. I used to laugh uncontrollably through the entire first chapter. It’s still pretty damn funny.
4. The Demon’s Lexicon by Sarah Rees Brennan. Here’s what I wrote in my Goodreads review: “I adored this! Funny, absorbing, touching story about what it means to love someone, what it means to be a family, oh and also teenagers fighting magicians and demons with knives and guns and one-liners. I cried in the happy way at the end. It’s been a while since I read a story that grabbed me so much I wanted to read it over again as soon as I finished it.” I’ve been following the author’s blog since long before she was published, and she is just a generally awesome and funny person. I would probably read her grocery lists, if she wanted to publish them.
And just to cap it off, a favorite blog: What Claudia Wore, devoted to the fashion of the Baby-Sitters’ Club.
What’s your favorite YA book/series?
New contest!
This month I am giving away two signed books (it’s a package deal, if you win you get them both)!
Last weekend I went up to the San Juan Islands to visit a friend, and while I was there I got to see my friend Gayle! And in honor of the general awesomeness of summer, the San Juans, and friendship, the first book is a signed copy of her amazing futuristic/dystopian romance, Tsunami Blue. Here’s the back cover copy:
NO SAFE HARBOR
With her badass rain boots, her faithful dog, and the ability to predict the monster tsunamis that have reduced the US to a series of islands, Kathryn O’Malley isn’t afraid of much. Cut off from all society, she takes to the airwaves as Tsunami Blue, hoping to save something of humanity as the world around her crumbles. But Blue should be afraid—because her message reaches the wrong ears.
Now she’s the target of ruthless pirates known as Runners who want to use her special talents for their own profiteering—as soon as they can find her. Blue’s only shot at survival lies with the naked stranger who washes up on her rocky beach. A man who might just be working for Runners himself. Torn between suspicion and attraction, the two will have to navigate a surging tide of danger and deceit if they hope to stay alive.
And here’s my GoodReads review:
“I freaking loved this book! Full disclosure: Gayle is a friend of mine. But wow this book was awesome. I loved the world she created and all the cool little details she put into it–it’s not a place I’d ever like to go personally (too dangerous! I’m a wuss) but I can’t WAIT to read more books about it. And I loved the heroine SO MUCH. She was incredibly badassed and vulnerable and tough and she and Gabriel were truly partners–he was never her white knight. I loved that her DOG was trying to get her to stop swearing. Also, I cried about four times. Gayle can really bring the heartwrenching feelings of loss. And then I cried again when happy things happened later. So READ THIS BOOK AND BRING TISSUES TO DO IT, I guess is the message of this review.”
…My reviewing style is a little incoherent, but you get the idea.
The second book is a signed copy of the amazing Stella Cameron’s second Court of Angels book, Out of Mind. I haven’t read this one yet, but I’ve heard good things! Here’s the back cover copy:
Her uncanny sight reveals abuse and damage suppressed deep within—little wonder she’d rather close her eyes. Willow Millet longs to deny her family’s exceptional gifts—paranormal talents known to few, shared by even fewer. Benedict Fortune is one such—a connection that should have strengthened the undeniable bond between him and Willow. But her self-doubt has driven them apart.
Married instead to her business, Willow’s concierge we-can-do-anything service is thriving until it is hit by a string of bizarre and fatal accidents—every victim a client. Now her livelihood depends on two enigmatic socialites and their notoriously decadent parties. In this anything-goes atmosphere, Willow and Ben are thrown together again and their need for each other is as strong as ever, but they are challenged at every turn…
For dark forces are staking Willow—coveting her gift as a means of cheating death…and ruling New Orleans forever.
Enter to win this awesome prize here at my website.
A certain little attendant demon or sprite
I went to Third Place Books a couple of days ago to pick up one of my birthday presents to myself—a shiny copy of Homes of Family Names in Great Britain by Henry Brougham Guppy, printed on their book machine!
It’s basically a list he collected of English last names in all the different counties, and I wanted it for naming characters. Here are the first two paragraphs of the Preface:
“Most books have a history attached to their inception, and, although strongly tempted to inform my readers as to how I came to write this work, I prefer to follow the advice of a certain little attendant demon or sprite, call him what you will, that hangs, metaphorically speaking, to my coat-tails, and brings me up sharply with a prohibitive pull. It will be enough for the author to crave the generous judgment of his readers, and there are few men in this world on whom kindly appreciation and a little timely encouragement are altogether thrown away.
When, some thirteen years ago, whilst a young naval surgeon, I measured the water discharged of the Yang’tse, one of the largest rivers of the world, I little thought that it would be my future lot to be intimately concerned with problems of such widely different natures as the origin of coral islands and the distribution of names in Great Britain. The first of these problems I hope still to work at for many years to come, and particularly because in this matter English geologists have abandoned the safe road of observation and research for the doubtful track of airy speculation under the shadow of a name. A solution of the second complicated problem I now present to my readers, and I await their verdict with no inconsiderable anxiety. Their approval will encourage me in another work of a very different character, on which I am at present engaged, namely, on the homes of the oceanic races of men; but for the prosecution of this and my other works means are necessary, and, failing other aid, I appeal in these pages to the English people.”
WHOA. That’s a huge mess of rhetorical flourishes and professional politics right there. Also, I’d LIKE to pretend that he was doing research on the great cities of the merpeople, but I suspect (and superficial googling appears to confirm) that “oceanic races” is part of the Victorian racial classifications and means, like, Polynesian or something.
And in fact, reading the rest of the preface, the point of the book appears to be in large part to pin down racial differences within Britain. It gets creepier and creepier the more I read: he mentions that “if some disinterested person were to make a study of the distribution of family names in Ireland on the lines adopted in this work, he would provide the legislature with information of practical value,” and follows that up with this gem: “in truth the vexed question of Alsace and Lorraine might be more easily settled by a study of the family nomenclature than by the manufacture of smokeless powder.” Because of course the most relevant question in that dispute was whether the people who lived there had more DNA in common with the French or the German. You have to love those white male Victorians scientists.
Anyway, while I was at the bookstore, I decided to just take a look around…and ended up with:
1. Lady Isabella’s Scandalous Marriage by Jennifer Ashley. (I adored The Madness of Lord Ian Mackenzie, the first book in the series.)
2. Ancient Whispers by Marie-Claude Bourque. (Marie-Claude is my friend and this book sounds fantastic!)
3. Iron Kissed by Patricia Briggs. (I loved the first two books in this series. Mercy is such a fabulous heroine!)
4. Turn Coat by Jim Butcher. (The Dresden Files #11, I think–I’ve been reading this series for years and adore it, and when I realized I’d somehow gotten two books behind, I had to do something right away!)
What’s the last book you bought on impulse?
In which I recommend one book, give two away, and…talk about dresses
1. My beloved critique partner Susanna Fraser recently sold her Regency-set historical, The Sergeant’s Lady, to Carina Press. It’s coming out towards the end of August, and it’s a really great book. I’ll be posting more about it when it’s available for pre-order, and I’m hoping Susanna will come here on her blog tour, but for now I’ll just say it’s about a gently-born officer’s widow and a common sergeant in the Peninsular War who end up having to fight their way across half of Spain together.
Actually I will also say, because I cheat, that I have it on good authority that the hero looks a lot like Captain Mal-era Nathan Fillion:

and that he wears one of these lovely green uniforms:

Mmmmm. She’s posted an excerpt at her blog. Go read!
2. Courtney Milan posted a response to the History Hoydens post about the importance of historical accuracy in historical romance that I linked to a few days ago. I really love what she says about the ways “the past is a vehicle for the present” in her books. It clarifies some things for me about my own use of history.
In honor of the awesomeness of her post, I have a confession to make: I seem to have acquired no less than three copies of her book, Proof by Seduction. Don’t judge me! There were library book sales involved! It was a really good book! I can’t be held responsible!
Now, I obviously need to keep one of these copies for myself, but I’d be happy to mail the other two to the first two people to comment and tell me they want one. Put your e-mail address in the comment so I can contact you for your shipping information. (NB: Both these copies are in good used condition.)
3. I’m going to a family wedding next month, so I went dress shopping today…and in addition to the dress I bought for that, I seem to have…accidentally acquired an evening gown? One very much like this one, only mine is this beautiful shimmering deep blue, and it was on sale, and it fit me perfectly (dresses NEVER fit me perfectly), and I could not leave it there. I tried. But I went back.
Maybe I can wear it to one of the dinners or parties at the RWA National Conference next year? Will I look overdressed? It is already way too dressy for pretty much EVERYTHING ELSE in my life, and also it kind of looks like something Blair Waldorf on Gossip Girl would wear to pretend to be a grown-up at a soirée, but I don’t even care, I adore it.
Just call me the Marlon-Brando-in-”The-Wild-Ones” of teen soap viewers
So I may have mentioned that I’ve been watching Gossip Girl. I’m halfway through Season 2, and while I’ve noticed a decline in quality in terms of plot coherence (also: understanding how to correctly use the term “slander”), I still love all the characters so I’m willing to overlook it.
There’s something else the show does really, really well that’s important to me: it doesn’t judge its characters.
Here’s what I mean by that: say Blair just did something awful, like (WARNING: mild SPOILER for season 2 coming up!) posted a fake rumor to a gossip blog trying to destroy a teacher’s career because they gave her a bad grade. Why did she do this? Here’s the show’s answer:
1. Blair has problems with lashing out.
2. Blair has a lifelong dream of going to Yale and is afraid this grade might affect her admission.
3. Blair is under a lot of pressure this week because her divorced father (whom she adores but isn’t very close to) is visiting from France with his boyfriend.
Etc., etc. The answer is NEVER, “Because Blair is a bitch.” Sure, Blair often acts like a bitch, and has more feelings of anger and resentment than many of the show’s other characters, but that’s pretty much a non-issue for the writers.
The specific meanness of posting the rumor, whether it was justified, and what, exactly, the consequences are for Blair, the teacher, and various innocent bystanders, IS an issue, but that’s very different. Blair is never on trial AS A PERSON. When a scheme of hers backfires or hurts someone, it never feels like a judgement from the writers, but simply a plausible outcome of her behavior.
I could go on for hours about why I like this in a book or movie, but I think the two most important factors are:
1. I hate it when I feel like an author is bullying a character. Okay, that maybe sounds a little silly, but it actually really affects my reading. People root for the underdog, right? Well, I also root for what I call “narrative underdogs.” If I feel like an author is stacking the deck against a character or setting them up to look bad, it bothers me.
If an author creates a character just to be a terrible person and then punishes them for it, my first thought is “Well you MADE that character the way they are!” This is especially true if the terrible person’s punishment involves public humiliation and I can practically hear the author snickering gleefully. Which I think leads pretty well into factor 2:
2. I’m contrary. I instinctively rebel if I feel like I’m being told what to think or how to react. I have an irrational hatred of feeling as if an interpretation is being shoved down my throat. For example, if a hero and heroine exchange some charming banter, and then the heroine thinks, “Oh my, HERO is the MOST delightfully witty man I’ve EVER met!”…my first instinct is to say, “I’ve met wittier.”

“What are you rebelling against?” “What have you got?”
Of course no author (or person, for that matter) is unbiased, but it’s a “show vs. tell” thing. If the writer shows me character A behaving like a jerk, probably I’ll think character A is a jerk. I might or might not LIKE character A, but either way I’ll think she’s a jerk.
(A romance I read recently that did this incredibly well was Eloisa James’s A Duke of Her Own. Way to create a full cast of characters, have some of them behave very badly indeed, and yet let me draw my own conclusions about all of them!)
But if the writer tells me repeatedly that character A is a jerk, very likely I’ll start looking for excuses for A’s behavior, no matter how awful it is, or be pushed into siding with her against character B, whom the writer keeps telling me to like.
And that’s the great thing: Gossip Girl never forces me to choose sides. It provides me with every character’s perspective and lets me decide for myself whether I think Serena is being passive-aggressive, or Dan is being unfair, or Nate is being adorable (hint: Nate is ALWAYS being adorable). It gives me the space, as a viewer, to figure out how I feel about the characters and situations. And that means that, most of the time, I can love all the characters even as I acknowledge their faults, and be on everyone’s side.
Are you a contrary reader? (“No” is an acceptable answer! I’m just curious!)
Brevity is the soul of wit, and tediousness the limbs and outward flourishes
Hey all! Revisions are BENDING TO MY WILL! MWAHAHAHAHA!
Okay um. I think all the oxygen from my brain is gone because of too much revisions (I just typed “brain from my oxygen”) so I will be brief! Actually brief, not like Friar Lawrence or Polonius when they say that (Shakespeare REALLY liked that joke: “I will be brief” followed by a million lines).
My GSRWA and blogging friend Cecilia Grant (her blog is awesome, you guys) just did an amazing and a half interview over at Romance Writers on the Journey. It’s sooo good. Although I feel that it’s very unfair to post an interview like this when your book is NOT AVAILABLE YET. Here is the description of her first book:
“When a pretty young widow enlists his help in conceiving a fraudulent heir, Christopher Mirkwood knows exactly what to expect: pleasure and more pleasure, and the chance to bestow the sensual awakening of which any such widow must necessarily stand in need. What better diversion from the tedium of a parentally mandated rural exile?
Awakening. Really. Martha Russell is wide awake, thank you, and has more important matters on her mind. Armed with principle, fortitude, and a bone-deep certainty of her own righteousness on all occasions, she’ll do whatever she must to keep her estate, and housemaids, out of her brother-in-law’s hands — even if she must do it with a wastrel who can’t get it through his pleasure-addled head that their arrangement is strictly business.
They need a month of illicit encounters. They’ll be lucky if they make it through a week. But if they can keep from throttling each other, they might find that even the most unromantic of bargains can turn into more than either one bargained for.”
How awesome does that sound! Prickly women with an over-developed sense of responsibility are my FAVORITE. And then the next book which is EVEN FARTHER AWAY sounds, if possible, EVEN MORE EXCITING:
“Martha’s brother’s story: Sworn to provide for a fallen comrade’s widow and child, Waterloo veteran Will Blackshear ventures into the gaming clubs of London in pursuit of quick cash – only to run afoul of a stone-cold cardsharp who’s staked out the territory as her own.
Lydia Slaughter is everything Will doesn’t need: ruthless, untrustworthy, and another man’s mistress. When she proposes a truce, and a tactical alliance, the resulting partnership could make his fortune… or ignite a passion that will leave them both in ruins.”
::drools:: Apparently Lydia is even a mathematician! Glamorous professional gamblers who are secretly math geeks make me SO HAPPY. (Have any of you read The Oracle Glass by Judith Merkle Riley?)
Here is an excerpt from the interview:
“My characters often start out as reactions to something I’ve read. For instance there was a period where I happened to read a whole string of romances featuring heroines who were downright Lady Chatterley-esque in their enraptured wonder at the male anatomy. It made me want to write the opposite: a heroine who’d look at an unclothed man and think, ‘Is this some kind of joke?’ Then it followed that her hero needed to be someone whose whole self-concept was rooted in his appeal to women, because those two could give each other maximum grief.”
Okay, maybe I like that so much because I get a lot of my ideas the same way. But also, that’s hilarious. And THAT IS JUST ONE EXCERPT. IT IS A VERY LONG AND GREAT INTERVIEW. And then in the comments there’s a discussion about emotionally manipulative things that totally make us cry! Which is something I love talking about because I’m a sap. If you want to know how to make me cry this is your chance. ALSO she’s giving away a signed copy of In for a Penny AND of Amanda Forrester’s The Highlander’s Sword (which I hear is a FABULOUS book and has been getting wonderful reviews even though I haven’t had a chance to read it yet) so this is your chance for those too.
…Okay that wasn’t that brief was it? But most of it was excerpts. Oh God I shouldn’t be allowed to make blog posts when I have done about ten hours of revision in a day. Whatever! Go! Read!